A Small Voice – Mark Power

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• The challenges of photographing America 

    • Interested in land use, social injustice.
    • Detailed landscapes, story told in the layout of the book.
    • Much easier to get photographs in the United States that the UK.
    • Parallels with Trump Election and Brexit

Collaborating with Poet Daniel Cockrill on Destroying the Laboratory for the Sake of the Experiment

    • Finished in 2010, published in 2016 bust before Brexit vote. Waited to publish after publishing so many books in the past.
    • Self published. Can make more money doing it that way. So much more work involved in it.
    • Rise of nationalism?
    • ‘What is Englishness?’
    • Cross contamination of work, poetry inspired photography, photography inspired poetry.
    • Mix poems and photographs from different locations which resonate and change the meaning of each other.
    • More photographers should seek out collaborations.
    • Hold each other accountable

• How he nearly quit photography after getting into 25K debt…

    • Began to train as a carpenter after ploughing more money into sending work to photography magazines which didn’t pay.

• … and how being in Berlin ‘by mistake’ when the wall came down changed everything

    • Met with girlfriend in East Berlin just as the wall opened. Cleared debts in one night.
    • Had no clue how to photograph a news event

• Why The Shipping Forecast sold over 10,000 copies

    • Inspired by a tea towel he had bought from the RNLI.
    • Began teaching at Brighton, learned about American and German large format photographers.
    • Invested in a large format (transitioned to digital in 2015).
    • Thought it was a bad idea, realised it was a good idea after, when people told him it was their idea.
    • Sold out in two weeks when it was made book of the week by The Observer.
    • ‘Place based project’ vague project. All photos connected to the sea, but didn’t have to contain the sea as the subject.

• Why 26 Different Endings was by far his hardest project.

    • Conceptual, completely different to his style.
    • Prefers to work anything he likes within a defined area.
    • Had to be on the line at the edge of the map

• Tips on sequencing

    • Work with physical prints
    • No one correct way in sequencing, but there are times where things are obvious.
    • If it doesn’t fit, get rid of it.

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